The Core

Elements of

Typography

Design

Essential concepts for strong typographic design

the typographic collection

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type Basics

Introduction to Typography

Typography is the art and technique of arranging type to make written language legible, readable, and visually appealing. It plays a key role in how we communicate through design, making it essential in graphic design, advertising, web design, and more. Understanding the basics of typography helps create effective, functional, and aesthetically pleasing designs, guiding viewers’ attention and enhancing the overall user experience.

Typefaces & Fonts

Typeface refers to the design of the letters, numbers, and symbols that make up a particular style. It includes all weights (light, bold, etc.) and variations (italic, condensed, etc.) within the design.

Font refers to a specific version or style of a typeface. For example, Helvetica is a typeface, while Helvetica Bold is a font.

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Anatomy of Type

Every letter in a typeface is made up of several parts. Understanding the anatomy of type helps designers choose the right typefaces and manipulate them correctly:

Dive Deeper into Type Anatomy

Stem

The main vertical stroke of a letter, like in "H" or "T."

Ascender

The part of a letter that extends above the height of lowercase letters (e.g., in "b" or "d").

Descender

The part of a letter that falls below the baseline (e.g., in "p" or "g").

Serif

The small projecting stroke at the end of a letter's main strokes (e.g., Times New Roman’s "T").

Bowl

The enclosed part of letters like "b," "d," or "o."

X-height

The height of the lowercase letters, specifically the height of the letter "x."

Counter

The enclosed space within letters like "o" or "e."

Terminal: The end of a stroke, especially where it doesn't have a serif (e.g., in "C" or "r").

Typeface

Classification

Typefaces are often categorized based on their design characteristics. Understanding these categories helps choose the right type for a specific project:

Blackletter:

Often referred to as Gothic or Old English, Blackletter fonts are characterized by their intricate, decorative strokes. These typefaces were commonly used in medieval manuscripts and early printed works. The style is dense and has sharp, angular serifs, often evoking a sense of historical tradition and authority.

Old Style

Old Style typefaces have a humanist influence with softer, rounded serifs, often evoking the feel of early printing. These fonts were designed to mimic the classic Roman letterforms, with a contrast between thick and thin strokes that create a natural, organic flow. Old Style fonts are typically used for body text in books and printed materials.

Script

Script typefaces mimic cursive or handwritten writing, with fluid, connected strokes. These fonts are often used for invitations, formal documents, and to convey a sense of elegance or personal touch. They range from elegant calligraphy-style scripts to more casual, handwritten styles.

Transitional

Transitional typefaces mark a shift between Old Style and Modern typefaces. They maintain the moderate contrast between thick and thin strokes but introduce more refined serifs and a more vertical stress. This category emerged in the 18th century and bridges the gap between classic and more modern type designs.

Modern

Modern typefaces (also known as Didone) feature extreme contrast between thick and thin strokes, with vertical serifs. They are sleek, geometric, and often have a high contrast in letterforms, making them ideal for larger text and display purposes. Modern typefaces convey a sense of sophistication and are often used in editorial and advertising designs.

Egyptian (Slab Serif)

Egyptian typefaces, often called slab serifs, are characterized by thick, block-like serifs with minimal contrast between thick and thin strokes. These fonts have a bold, sturdy look and are commonly used for headlines and branding, where a strong presence is needed.

Mono-weight

Mono-weight typefaces have uniform stroke widths with little to no contrast between thick and thin parts. This classification is often used in more modern or minimalist designs and is ideal for projects where readability and a clean aesthetic are essential. These typefaces are also common in digital design and technology-related applications.